The celebrated music of Paula Vogel’s Tony Award Winning Broadway play, Indecent is now available to license!

Composed and arranged by Lisa Gutkin and Aaron Halva, the award winning and revered score is rich with “sumptuous Klezmer textures” (LA Times). Whether you plan to fully integrate musicians and choreography into your production or utilize the music and musicians solely as underscoring, you will be able to bring the full musical score to life! 

Created along with Rebecca Taichman’s award winning productions of Indecent, these new editions of the score (prepared during the Guthrie Theater’s production, directed by Wendy Goldberg) are designed to benefit all productions. 

The basic package includes orchestral books and a full score, vocal books, and a piano reduction for your music director and cast to employ in rehearsals.

Additional packages will include approved alternate cues of various lengths, instructional materials (including videos and Skype conferences with the composers) to assist musicians with the Jewish musical stylings, and slowly spoken recordings of the Yiddish and German lyrics, making the music easy to implement in any vision and production of Indecent.

“The music composed and arranged for INDECENT by Lisa Gutkin and Aaron Halva is not just a score. It’s an exquisite heartbeat of the show, so transportive, so much a spirit that it is indeed a member of the cast.  I cannot imagine the play without this music that has haunted me from the start in our first New Haven rehearsal at Yale. It grows, it changes, as all great scene partners do, according to the ensemble, the audience, the company: it was as much a heartbeat at the Guthrie Theatre as it was on Broadway.It will continue to transport us throughout the companies and the years, I know, as it did in our first rehearsal hall.  The music allows me to dance, to celebrate, and to yearn. I am grateful.”

– Paula Vogel

“The music that Lisa Gutkin and Aaron Halva composed for INDECENT was integral to the storytelling of the play; stunning, evocative and haunting, it mesmerized and moved the audience.  Their compositions, while gorgeously performed by our Broadway company, can definitely be recreated by other musicians, as evidenced by the stellar performance of our show’s understudies.  We are all grateful to Lisa and Aaron for adding their beautiful music to this incredible play.”

 – Daryl Roth

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